CALVENDO self-publishers in conversation: Dave Knowles

He loves wildlife, in particular owls and birds of prey, and has a lifelong infatuation with photography: Dave Knowles tell us how his photographic life has evolved over the years and why trust and patience are key when taking pictures of animals.

Dave and his Great Grey Owl 'Midnight'

Dave and his Great Grey Owl ‘Midnight’

Dave, can you talk a bit about your background as a photographer and how and when you took up photography?

I’m a lifelong photography fan, starting with a foldout 120 camera given to me at the age of seven, through to a 21/4 square Rolliflex, followed by 35 mm cameras starting with a Zenith B, then Practica, then onto Canon – all in film then slide and then digital as they evolved. I’ve also had my fun with Polaroid and the initial embryonic digital cameras. I’ve had my own darkrooms in various makeshift locations such as the bathroom, developing and printing my own prints. I was also a member of the school camera club and joined the local camera club.

I’ve been using Canon since my first ‘L’ series lens (100-400) initially with an EOS 100 film camera. After coming back from a safari in Africa in 2000 with 40 rolls of film, I decided to buy a Canon EOS 300 digital SLR and now via a range of EOS bodies (20D, 5D, 5Dmk11) evolved to an EOS 1DX. I also have a wide range of ‘L’ series lenses and other equipment to match. Prior to my retirement from the NHS where I was an Intensive Care Charge Nurse, I started a small business which continues in a small way, and I sell images from various websites. I’ve given talks for various groups on wildlife photography, which is my main photographic love, and I’ve also led introduction to photography classes. I edit all of my images on a Mac and primarily use Lightroom since it has been introduced and occasionally also Photoshop for all processing.

I’m continuously improving and honing my techniques in wildlife and other aspects of photography. I attend many study days and subscribe to various websites and photographic forums. I also frequently meet up with like-minded photographer friends, and we use day trips to practice new ideas or processing techniques to build experience and portfolios.

'Just Flamingos' calendar

Just Flamingos‘ calendar

How would you describe your style and approach as a photographer? Continue reading

CALVENDO self-publishers in conversation: Brian Ross Haslam

With a background in arts and photography, Brian Ross Haslam is applying all his skills in order to create his elegant floral photos. Here, the Devon-based photographer  tells us why training with an advertising photographer in London was an eye opener for him plus he reveals some of his personal ‘tricks of the photography trade’. By the way,  the photograph you see in the image below (also on the cover of one of Brian’s Calvendo calendars) won second place in the International Garden Photographer of the Year’s Plant Portraits category! It’s a Magnolia campbellii var. “Alba”, just in case you’re wondering. (We were.)

Copyright: Brian Ross Haslam

Copyright: Brian Ross Haslam

Brian, can you talk a bit about your background as a photographer and how and when you took up photography?

The only ‘A’ level I passed at Torquay Grammar School in 1979 was Art, so Art School seemed the next option. I moved next door to the Technical College to take a one year Art Foundation Course. Here, you have a go at everything including sculpture, pottery, printmaking, jewellery, life modelling, photography, painting and drawing. I then applied to Exeter for Fine Art, Brighton for Graphics, and Bournemouth for Photography and Film. Luckily, I was accepted at Bournemouth for a three year Diploma Course. Nick Knight, the renowned fashion and documentary photographer, was in the year above me and always in another league.

After graduating, some of us gravitated to London to look for assisting work and advertising photographer Paul Windsor took me on as assistant which was an eye opener. His equipment ran from Nikon to Hasselblad to Mamiya and to Sinar for 5×4 and 10×8. Lighting included tungsten and strobe flash on an industrial scale. Until then, I had never even heard of an art director, and Paul had worked as an art director and photographer for fifteen years, For me, it was the introduction to the world of advertising photography and advertising agencies. Eventually, I had to return to Torbay. I have taken some book signing photos for The Torbay Bookshop, and worked for many years as a wedding photographer.

On the amateur and personal side, the choice seemed to be landscape or flowers. Since you need to travel for dramatic landscapes, I settled on florals. I used to visit gardens open to the public, but now try to grow my own to have more control over the photos. A clean background always helps when shooting flowers, as well as no wind.

How would you describe your style and approach as a photographer? Continue reading

CALVENDO self-publishers in conversation: Dee Sweeney

Irish photographer Dee Sweeney has been taking pictures all her life. Here, she tells us about her passion for capturing life’s special moments and why she feels half French. 

Dee Sweeney at work

Dee Sweeney at work

1. Dee, can you talk a bit about your background as a photographer and how and when you took up photography?

Since I was a kid I always loved photography. I remember my parents having the old box camera and I used it many times guided by my dad. When my smaller brother was born I was obsessed with taking his photograph, and my mom had to hide the camera as it was costing her a fortune to develop the photographs! I always loved photography and was admired for my keen eye on catching special moments. Throughout my life in college, my work and travel all over the world I always would have some sort of a camera with me. I have thousands of photographs in my attic with so many precious moments and memories which are irreplaceable. My photography has always been about my love for it and this is portrayed in my work. I was born with this gift and I love to share it with people. The most rewarding part is to see the happiness I have brought and bring to people because of my photographs. There is simply no better feeling.

Seven years ago, I decided to take my Diploma in Photography with the Photography Institute in Ireland and enjoyed it very much. I am developing my photography business more, and I sell my prints online and directly.

'Colors of Provence' calendar

Colors of Provence‘ calendar

2. How would you describe your style and interests as a photographer? Continue reading