CALVENDO self-publishers in conversation: Dex Hannon about mixing up paintings and what inspires him

Yorkshire-based Dex Hannon’s modus operandi might confuse some: His website not only features his name but that of three other artists, too. But are they really ‘other’? Here, the painter and photographer tells us all about this ‘split artistic personality’, and why not being shy when it comes to promoting your work is vital for self-publishers.

Dex Hannon in his own style

Dex Hannon in his own style

1. Dex, your website, The Broken Toy Company, features the tag line ‘four artists 1 mind’. So, tell us, are we talking to one person or multiple personalities?

No, luckily this is only Dex. I should give you a brief outline of what I mean by ‘four artists, 1 mind’ and also why, I work as four artists, or at least as ‘Heteronyms’ as Fernando Pessoa would call them. These artists are not alter egos but real parts of me, the Broken Toy Company (BTC). Each creator who is part of the BTC has his own voice, his own identity, his own way of working. They only share the same vessel. So, today its only Dex Hannon, possibly the easiest to get a straight answer from.

2. How would you describe your artistic work with its mix of photography, digital and painting? Continue reading

CALVENDO self-publishers in conversation: Jill Galloway about her style and why painting sweets is a pleasure

As a trained painter and figure artist, Jill Galloway focuses on depicting what she calls “the beauty of the commonplace”. She gives her paintings of everyday objects a delightful pop art twist and has turned some of her colourful work into calendars. Here, she tells us more about her work and why she thinks creating calendars can be very valuable for artists.

Jill Galloway

Jill Galloway

Jill, your website comes with the tag line “art in broad strokes”. Can you explain what you mean by that and talk a bit about your work and inspiration?

My art moves between several different styles depending on the subject I’m painting. Often my more iconic art end up in oils, my landscapes are usually in watercolour and my figure work is usually in charcoals and pastels. I’m not sure why this happens, but I really like it. It seems to keep everything fresh.

It made sense to go with a slogan like “art in broad strokes” because of the range of mediums I work with. Lately, I’ve been playing with combining the mediums and even working in graphic designs and pattern work.

I’m inspired by really common objects (especially sweet ones) like cupcakes, ice cream bars, and cookies! I sometimes think of my art as a little vintage with a sweet modern twist!

JJ Galloway: Absolutely Edible

JJ Galloway: Absolutely Edible

For anyone into chocolate, ice-cream, cakes and the like, your ‘Edibles’ collection is hard to look at without wanting to reach out and grab what they’re seeing … How do you approach painting these particularly ‘tasty’ objects? Continue reading

“If Calvendo enables me introduce even more people to my photography, that’s a positive”

Marcus Klepper, a German photographer, loves taking pictures of Berlin and has already won an award for his photographic depictions of the German capital. Calvendo met up with him to find out more about his work and why he’s using the platform.

Aufnahmen von Berlin, die unsere Hauptstadt in seiner ganzen Farbenpracht präsentieren.

Berlin at its best.

Marcus, you’re a photographer who uses Calvendo to publish calendars. Tell us a bit about you and photography.

Well, I was a bit of a late starter with regards to photography and bought my first DSLR camera at the age of 29 in 2005. Before that, I was only a “snapper”. I think what happened at that point was that I saw images that I couldn’t realise with the camera I had used so far but still wanted to try to make those images real. I therefore experimented a lot with different techniques after buying my first DSLR camera. I’m now on my fourth camera gear and have finally found something that fulfils my needs.

What’s your favourite genre and why?

I most enjoy landscape and architecture photography because even if your objects might be static and don’t alter their position, the change in light and season makes for numerous different facets.

How did you learn about Calvendo?

I’ve got a photography page on Facebook and fans frequently asked me if I didn’t want to publish calendars. However, the cost involved and prefinancing needed prevented me from doing so. Then, a friend and fellow photographer told me about Calvendo since he’d been using the platform for some time. I’ve now published a number of Berlin calendars with Calvendo.

What are your aims when publishing calendars?

It’s mainly about being able to offer a calendar to people who were interested and asked for it. If Calvendo introduces even more people to my calendars and they like them, that’s a positive side effect.

How do you market your calendars? And how does Calvendo support you?

I promote my calendars on my Facebook page or via word of mouth and friends spreading the word. At the same time, I don’t want to overdo it with marketing on my page since photography for me is mainly a passion. If I can also earn something with it, that’s great and just a bonus. I noticed that if there’s too much promotion, my fans don’t like that.

In general, I’m very happy with the support I get from Calvendo. With the platform, it onlye takes a few mouse clicks and a week later or so people can already order my calendar on different retail platforms.

Photography is actually more then only a small hobby for you. You also take part in competitions, right?

The competitions I take part in are either run by photography magazines or well known internet communities. There are a lot of competitions out there that only want get hold of loads of images cheaply. Everyone submitting their image cedes publication rights to the respective portal, no matter if you’re among the winners or not. What happens is that a camera worth a few hundred is put up as a prize and the competition organisers are then being sent thousands of images that can be used without asking for further permission or paying for them.

With regards to communities you mentioned: Are you also meeting up in person with those photographers?

Yes, absolutely. I often meet up with fellow photographers and some of them have become friends.

And what do photographers talk about when they’re sitting together?

Very often you meet up with photographers that have similar interests. But then again, also with some who have a completely different focus. So, for example, I might want to know about people photography and the photographer who specialises in this field will then get information from me about my areas of expertise. Another thing is testing equipment if you’re looking to buy something new. Or asking about experiences with specific hardware.

What are you plans for this year?

Getting up my own homepage. And exploring some European capitals such as London, Paris or Rome. Let’s see what happens. I’m happy to let myself be surprised.

Thanks for talking to us, Marcus! We certainly wish you lots of positive surprises and, most of all, great photography motives galore!